Showing posts with label lighting. Show all posts
Showing posts with label lighting. Show all posts

5/30/2012

Quantum Qflash Model T5d-R Review

Quantum Qflash Model T5d-R
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If you have ever watched David Ziser photograph you will see how I work, except I have a TRIO on-camera and he has a 580EXII on-camera. I use it inside with an assistant holding a monipod, T5dR attached using a multi-clamp and a Turbo 2x2 battery powering the unit. The T5dR will have an umbrella out front when inside and outside it will be closed. The T5dR provides a lot of light. This comes in handy when shooting groups or individuals in full sunlight or very bright sunlight. Plenty of power for my work.I can adjust it from my TRIO, turn it on, off, on, up or down, change the power, etc. wirelessly using the optional FW7Q receiver. If my 580EXII is on board my camera, as seen with Ziser, my assistant can easily adjust power for me on the T5dR. The thing that would complete the package and give it a five-star rating would be if the T5dR would do HSS (high speed sync.
It is an expensive unit, made in the USA. It is a workhorse, and superior in light quality to the 580EXII remote flash. There are several diffusers and tinted stuff for it, which I don't use. It is fairly large, about twice the 580 flash, larger head (good thing)but probably weighs about the same as a 580 with batteries.
It is a great tool that I love because it provides great light and sets me apart from the on-camera flash photographers. It provides my client a more professional, higher quality look.
[...].

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5/09/2012

SP4000 Complete Professional Portrait Studio Kit - 3 Studio Flash/Strobe, 2 softboxes, wireless Review

SP4000 Complete Professional Portrait Studio Kit - 3 Studio Flash/Strobe, 2 softboxes, wireless
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I can't complain one bit about the strobes in this kit. The umbrellas were good too, would have liked a few more inches on radius but this will do fine. The soft boxes looked like trash or cheap until you put them together then they are totally functional and stout. I will leave mine put together all the time but it would be nice to have an easier way to fold them down for transport. The stands were of good quality and works just fine. The battery in the remote trigger (on the camera side) was dead on arrival but I did a search and found a package of five batteries for around $5 so I'm sure it will work fine then. The remote receiver uses two AAA batteries as well. The strobes will all work as slaves to a speedlight if you use manual mode which does not put out the pre-flash for such as red eye reduction, etc. Otherwise the strobes will sync with the pre-flash and not the flash itself and the shutter will snap after the strobes flash. Not a big deal as it's a flash problem not a strobe issue. The cases are nice as well. I do wish that the strobe caps were deep enough to keep the modeling lights in the strobe unit instead of having to take them out each time for transport and before you are able to put the cap on. The barn doors and snoots, filters, etc do a pretty good job as well. Medium quality for what it is.
I would highly recommend this kit to any starting photographer and/or semi-pro wanting a good strobe kit without spending thousands of dollars. A power strip included in this kit with a 12 foot extension would only enhance this kit.

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4/16/2012

Sekonic PRODIGI C-500R Color Meter (Black) Review

Sekonic PRODIGI C-500R Color Meter (Black)
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Color temperature meters are a special item often only used by pros, especially for film and video.
My need is a bit different - I tend to do a lot of work with creative lighting setups, where there's often a balance between daylight, ambient artificial light and complex off-camera flash systems. One of the challenges in this situation is getting the relative color balance of the different light sources to agree in a way that doesn't call attention to the fact that you're mixing multiple light sources, each putting out a slightly different color of light. The technique I use is to setup the shot without flash, metering to get the "ambient" color temperature. Then, I'll put colored gels over my flashes to either get matching colors or the special effect I'm looking for (often I like the flash to cast a warmer beam).
The C-500R is built like a tank and will likely last forever, even under harsh use. The sensor is well placed and can be aimed as you like, and if you plan on filtering at the camera, you can simply place the filter over the sensor to see what the impact will be. If you have wireless flash with Pocket Wizards (or one of the products that uses the same protocols as Pocket Wizard), you can even wirelessly trigger your lights right from the meter.
A very cool feature is that the display doesn't just show you color temperature - is also shows you what type of filter you need to bring the light back in balance, usually in Kodak "CC" values (for instance, under florescent lights, it might tell you that a CC30M magenta filter would bring the color temp back in line with daylight balanced film).
For digital photographers, you can also use the ambient color temperature to set the white balance on your camera. If you want highly accurate color reproduction, this is a good help. Indeed, my workflow around this product is to measure ambient color temp, set that into the camera, then filter the flash to match or to get the effect I want. Sounds complex, but it works great and makes those complicated lighting setups look much more natural.
Of course, the person who needs one of these knows everything I've said...but still, this is a great product and well worth the money if you're photography requires this type of precision and control.


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Sekonic has introduced the PRODIGI COLOR C-500, the world's first color meter that is designed for both digital and film capture. The "R" version, the C-500R has PocketWizard wireless triggering built-in.The meters incorporate four sensors to measure light color and display color temperature and compensation values(LB/CC index or filter numbers) specifically calibrated to the spectral sensitivity of the CCD and CMOS sensors used in digital photography or the spectral characteristics photographic color film. Professional photographers and cinematographers now have greater control over color than ever before.The PRODIGI COLOR C-500R includes a built-in radio transmitter module for wireless triggering of PocketWizard receivers up to 100 feet away. The transmitter is also compatible with selected products from Prophoto, Dyna-lite, Photogenic, Norman, and Lumadyne having built-in PocketWizard radio technology. The meter can transmit with 32 digitally-coded channels with four Quad-Triggering Zones.

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3/09/2012

750W Professional Photographic Studio Strobe Flash Light Kit - Barn Door, Soft Box, Umbrellas, Stands, Lamps, Triggers & More Review

750W Professional Photographic Studio Strobe Flash Light Kit - Barn Door, Soft Box, Umbrellas, Stands, Lamps, Triggers and More
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Nice starter kit,make sure that you confirm receipt of carrying case.
Light stands are too light for "this kit" will need some weight to remain steady. can easily fall, if fully extended
Also,two out the three stands were stuck upon delivery and unable to open/expand unless forced with the use of pliers etc...which happens repeatedly when collapsed. I had to use a piece of masking tape to stop it from collapsing totally.
Lights are a little slow to recycle but you get used to it with the help of the buzzer... and works well with the triggers and with the various control options.
Umbrellas are cute almost a joke, VERY inferior... invest in an upgrade IMMEDIATELY,if going to be used repeatedly.


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2/21/2012

Pro 3-Light 480 W/S Strobe Flash Studio Kit Review

Pro 3-Light 480 W/S Strobe Flash Studio Kit
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I ordered this kit to set up my first photography studio. I set it up today (finally) and took some photos of my volunteer models (my sisters). The lights are great, the slave works wonderfully (after I figured out how to make it work, hee) and the photos came out very well lit and just gorgeous. I am very happy with the kit. I'm sure when I can afford something nicer I will upgrade, but for the time being this kit fulfills all of my needs and it's great. I also love that it's super easy to put together and take apart, and the storage case it comes with is compact and easy to carry. I love the kit and hope it lasts for a long time!

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2/18/2012

PocketWizard 801-150 Flex Transceiver TT5 Bundle With 801-140 Mini TT1 Transmitter Bundle for Canon DSLR Review

PocketWizard 801-150 Flex Transceiver TT5 Bundle With 801-140 Mini TT1 Transmitter Bundle for Canon DSLR
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I own two FlexTT5, purchased from Amazon at the retail price of $219.00 each. Great product, and I would definitely recommend them to any serious user of Canon Speedlites. This 17th St photo bundle, though, appears to be a ripoff! On Amazon, a MiniTT1 goes for $199, for a total of $428 for the equivalent of this ersatz bundle. It is sad to see such unscrupulous dealers hawking their wares on a respectable site like Amazon! For a $30 premium you get the privilege of paying $13.95 for shipping!

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2/13/2012

Ocean LED OCE-001-500285 Amphibian A6 Surface Mount Underwater Light (Blue) Review

Ocean LED OCE-001-500285 Amphibian A6 Surface Mount Underwater Light (Blue)
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Im a very picky person when it comes to items on my boat. These light are very easy to install. They look awesome at night. The only things I have to say negative things i have to say which arent a big deal is 1. the wiring that it comes with is to short and 2. at night fishing it spooks the bait fish which I did'nt have the lights on for long so not sure if the bait fish will come back..

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1/31/2012

Sekonic L-758DR Light Meter (Black) Review

Sekonic L-758DR Light Meter (Black)
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I really like this meter. It does everything I need and a bit more. I find it easy to use as it follows similar interface design as my DSLR's "press-this-and-spin-that" UI. The integrated pocket wizard, ability to meter light ratios and balance ambient light is fantastic. The use of this meter has improved my shots.
A previous reviewer said the interface was poor - I disagree. The interface is extremely simple for the basic functions you'll use all the time. Set the ISO, take a reading, change between reflected spot and incident, set the pocket wizard channel, set the exposure time for ambient, etc.
When using the more advanced features, it gets a little more complicated. For example, metering the highlights, the shadows and mid-tones and display them all at once, or meter the lighting ratio between lights. Perhaps it could be a little easier but I don't find it a hinderance.
In fact I didn't notice the complexity as it's no more complicated than most of the features on my Nikon D700. The Sekonic, happily, follows the same convention of rapid key combinations for instant access to features instead of slow menu driven interfaces. Yes the menus are easier to learn - but you'd pay that speed penalty every time you'd use it. Once you learn how to play the Sekonic's keys, the price is paid and you get the speed benefit every time you use it.
Now it would be slick if, like the pro DSLRs, they provided both a menu and a key. But I still wouldn't use the menu.

Click Here to see more reviews about: Sekonic L-758DR Light Meter (Black)

Spot & Incident Light Readings Under Flash and/or Ambient Lighting Conditions Calibrated to match the Sensitivity of Your Camera's Imaging SensorThe Sekonic L-758DR DigitalMaster is simply the most dynamic light meter you will ever own. It can record incident or 1-degree spot-readings under ambient and/or strobe lighting down to a tenth-stop in accuracy, and it's sealed against the nastiest of weather. With the included Sekonic RT-32 Radio Transmitter Module and you can wirelessly trigger PocketWizard-enabled flash systems within a 100' range. But that's not what makes the Sekonic L-758DR DigitalMaster different from any other meter you have owned. What moves the L-758DR DigitalMaster to the head of the class is that it is the only meter that can be calibrated to read light the way the sensor in your particular camerareads light.Like film, imaging sensors vary in light sensitivity levels from one batch to the next. Despite manufacturers best efforts, fluctuations of native ISO sensitivities of up to plus/minus half-a-stop can be detected across the uncut wafers as they come off the manufacturing line. Depending on which ‘slice of the pie' is inside your camera, the specs listed in the camera manual may not hold true to the characteristics of the sensor in your particular camera.By running an easy calibration test using Sekonic's L-758DR, a Sekonic Exposure Profile Target (optional) and the included Data Transfer Software (Mac & Windows), you can accurately profile the sensitivity characteristics of your camera's sensor to determine the compensation value for its true native ISO, dynamic range and clipping points.After calculating the test data and establishing new exposure parameters, this data is uploaded from your computer via the included USB cable back to the meter where it is stored as camera profiles. Profiling data from up to 3 cameras can be stored in your meter for instant recall.

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1/19/2012

Pocket Wizard Mini TT1 & Flex TT5 for Nikon DSLR Bundle (1 Mini and 2 Flex) Review

Pocket Wizard Mini TT1 and Flex TT5 for Nikon DSLR Bundle (1 Mini and 2 Flex)
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Bottom line - Cream of the Crop
I've been using this miniTT1 and FlexTT5s with my D90 and D200 for several months now. To say that they are perfect would be an overstatement. To say they work every bit as well as if they were hard-cabled is pretty much dead on. And with these things you don't have the challenges of tripping over or getting twisted in long wire runs.
As a simple example, I can set my flash (Nikon SB-800 AF Speedlight for Nikon Digital SLR Cameras - Old Version) with a Gary Fong Lightsphere Universal System Cloud attached on a stand in the middle of a large room. I have my camera (Nikon D200 10.2MP Digital SLR Camera (Body Only)) set to manual exposure, 1/30 @ f5.6. Pictures I take anywhere in the room are perfectly exposed.
They also work perfectly, albeit without the TTL functions, with the original PocketWizard Plus II Transceiver 801-125 Relay Radio Slave Transmitter Receiver 2-piece w/ PockeWizard Case for 2 in the mix.
There were some issues with the Canon version of these controllers and that was attributed to both the Mini/Flex and Canon "natively" using radio signals to control things. Nikon took a different approach, using light instead of RF signals for their Creative Lighting System (CLS) commands As a result there is no interference with the latest equipment from PocketWizard.
There are a flood of flash controllers available these days. Some cost a fraction of what these do and if you are only needing them to go short distances and can tolerate the occasional failure they're OK. PocketWizard, with the miniTT1 and FlexTT5, along with their continued support for the other equipment in their product line, caters to a more demanding user with far greater performance and reliability requirements. For me, anyway, it didn't make sense to take a chance on reliability or performance, or give up the capabilities provided here, just to save some on a one-time expense.
BTW, I feel that honest, effective reviews can take the place of first-hand experiences that are lacking in online shopping. I've always appreciated the help I've received from other reviewers and work hard to return the favor as best as I can. I hope you found this review helpful and if there was anything you thought was lacking or unclear leave a comment and I'll do what I can to fix it.



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12/22/2011

Square Perfect SP3500 Complete Portrait Studio Kit - 3 Studio Flash/Strobe, 2 softboxes, 3 backdrops, wireless Review

Square Perfect SP3500 Complete Portrait Studio Kit - 3 Studio Flash/Strobe, 2 softboxes, 3 backdrops, wireless
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I wasn't sure what to think of this when I first saw it but felt that it was worth a shot. I was tired of sacrificing my more expensive equipment when on location and wanted something that would allow me to have what I needed when I needed it. For the money (keep that in mind!!) this is a great system. I'm more than an amateur, but a little less than a pro, but have managed to make several of my clients very, very happy while using this setup. Oh, the softboxes are a pain in the neck to set up and the stands are a little wobbly but all in all, I found this to be a terrific deal. I still need one more light and would just as soon not have the gels since I never use them, but everything else works find. The reflectors are a good size, the backdrops will do in a pinch (my old stuff is far better so I haven't given them much of a test).
If you are looking for an inexpensive (all things being relative, of course) break into the world of studio photography, I think you would be hard pressed to find a better bang for your buck. Will this set last you forever? No. But it will help you hone your skills so that as you start to make the big bucks you can start upgrading without doubting your abilities.

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10/16/2011

PocketWizard Plus II Transceiver Relay Radio Slave Transmitter Receiver 3-Pack with 2 PocketWizard Cases (2 Pocketwizards Per Case) Review

PocketWizard Plus II Transceiver Relay Radio Slave Transmitter Receiver 3-Pack with 2 PocketWizard Cases (2 Pocketwizards Per Case)
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This package came with 3 Pocket Wizard Plus II transceivers and 2 soft padded Pocket Wizard transceiver carrying/storage cases. All 3 Pocket Wizard Plus II transceivers worked perfectly straight out of the box and are very simple to use. Each Pocket Wizard soft padded carrying case is designed to store 2 Pocket Wizard transceivers and are well built with quality materials. I believe you get what you pay for in life and this quality package continues to prove that theory as correct.

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9/22/2011

FlexTT5 Transceiver Radio Slave for Nikon Review

FlexTT5 Transceiver Radio Slave for Nikon
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I bought the mini plus this unit and tried them out. Results: like the title, Amazing. I bought a second FlexTT5 and an AC3 zone controller, and I can do just about anything with my speedlights. You can put as many speedlights as you need in each of three zones, then using the AC3, you can adjust any or all of your flash zones from the camera or shut off any of the zones. And these units, the FlexTT5 and the smaller Mini are so easy to use - just put one on your hotshoe, one under each speedlight and fire away! I do recommend that instead of buying the Mini, just get another of these Flex TT5's since these use AA batteries while the Mini uses a button battery that may not be easy to find. Plus, the FlexTT5 can transmit OR receive. The Mini only can transmit, although it is lighter.

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9/11/2011

Quantum Trio Basic QF8BN Flash for Nikon TTL - without Built in Radio - Requires Turbo for power Review

Quantum Trio Basic QF8BN Flash for Nikon TTL - without Built in Radio - Requires Turbo for power
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Having struggled with Nikon Speedlight's for year, burning out and needing tine to refresh, I was happy to try a Quantum Trio. Although not the cheapest flash on the market it has pleasantly surprised me with better light and no limit on the number of flashes available from its bare bulb as opposed to a standard flash head. The color of the light is better and I'm impressed with the improved quality of the image. flash head.
I'm also glad not buying AA batteries all the time any more.

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8/24/2011

Pocket Wizard FlexTT5 Transceiver For Canon TTL Flashes and Digital SLR Cameras Review

Pocket Wizard FlexTT5 Transceiver For Canon TTL Flashes and Digital SLR Cameras
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Adding: If you want a recommendation on whether to get the Flex and Mini or just 2 flexes, I'd suggest 2 flexes. First, because the flexes use regular batteries. And second because that gives you more options as you add lights and equipment to your set up (since the Mini can only be used on camera and not as a trigger for the flash). I do like owning the mini because it is so tiny and I hardly even notice it is on my camera. But both the Flex and Mini are very low profile and don't have the 'get knocked off' issues that the Plus IIs had.
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A lot of the early reviews are before updates to download for this product had been made available (or used!). It works fine now. I have a very noisy 580EXII and both the Flex and Mini work fine with it. For me, dependability was about making sure the antenna was never pointed down. If you have any problem with the unit, typically it is because the antenna aren't parallel or are pointed at the ground. Just move either unit and you're fine. There are a lot of demonstrations, videos, and FAQ tips on how to really get these to work well.
I'll give my thoughts and also make comparisons to the Radio Poppers since the Radio Poppers (RP) are the only competitor on the market able to do ETTL type of shooting (ability to shoot at fast shutter speeds). The Elinchrom Sky Ports and the Paul C Buff Cyberlinks will only trigger flashes manually and below the camera's synch speed - which is very limiting.
I'm not going to go too technical into the specs and descriptions since those are readily available on the net.
Overview
Right off the bat, I LOVE the design improvements over their predecessors, the PW Plus IIs. Both the Mini (a receiver that is tiny and fits on your camera's hot shoe) and the Flex (can be both a receiver or transceiver) are flat and sleek - they do not stand up or poke out annoyingly like the Plus IIs did. Even better, by incorporating hot shoes and shoe feet directly onto the units, you no longer have to worry about cords or velcro. This is wonderful - no more cords falling out or units falling off the flash. I don't have to listen to the pocket wizard dangling off a light stand as I move it around. The flash sits directly on the Flex:
If you want to see a video of the new units and how small and easy they are, the PW people have a video on there site - check it out if you want to see these in use.
By having both a shoe and foot on each Flex or Mini, you have the option of using them with other items that also require a hot shoe - such as the ST-E2 or another flash. By using it with the ST-E2 or another flash, you are given the further option of being able to adjust your Flash Exposure Compensation (FEC) at the camera rather than having to walk to a flash. If I were to give my one complaint about the new PWs, it's that they don't have that ability built right in to the Flex or Mini units (which I believe the Radio Popper Jr.s do - although the Jr.s cannot do ETTL, only manual like the Plus IIs). But you do NOT need to have the St-E2 or a flash on your camera - the Pocket Wizards work right out of the box with only one flash on a stand. This is a huge plus over the Radio Poppers, which require the extra expense of two flashes or an ST-E2 before they will do ETTL.
The other huge plus about the new Pocket Wizards (and why I feel they are far superior to any other trigger on the market) is that they are a 'black box' - they have a brain that can be constantly updated. This means that new features can be downloaded for free as they become available. People are already finding new and interesting ways to use the Flex and Mini and configure them. And as new cameras are added to the Canon lineup, you don't have to worry about them not working. The Pocket Wizard people were given a stress test when the 5D MII came out and didn't work well with the new Flex and Mini - but in only a month or so, the team had provided an update to download that fixed the compatability issues. But it should be noted that the design of the 5D models (it's shutter is nearly the size of the sensor and that causes problems with synching) means they get the least out of the Flex and Mini features. But the Pocket Wizard people have fixed those issues - enough so that the engineers there are fully focused on finalizing the Nikon version and no longer have issues to address with the Canon models. Downloading the updates is easy - just plug the Flex or mini into USB and you'll have software quickly installed. That software provides all kinds of targeted configuration options that make the most of your particular brand of Canon. I'll go into specific issues/problems further into this.
Finally, it should be noted that the PWs have a SUPER new feature - Hypersynch. Hypersynch allows you to configure the Flex or Mini to synch beyond the camera's synch speed - at speeds of 400 or faster. But this isn't just for Canon flashes - this is ALSO for ALIEN BEES! I know a lot of people bought the Radio Poppers after it was announced that they could do ETTL with the Alien Bees - but that turned out to not be true. The Radio Poppers could synch with a random Alien Bee now and then but it turned out that very few could actually do that. In contrast, the Pocket Wizards DO provide higher speed synching - though not through the full range of shutter speeds. Another huge advantage of Hypersynch is that it does not wear down batteries like ETTL does when synching at high shutter speeds. This gives you twice or even three times the battery life - which is important. Because of that, you can actually set your Flex and Mini to do hypersynching up to a certain shutter speed - and when that limit is reached, it will automatically use high speed synch. SMART!
My Experiences
I went out and gave the new Pocket Wizard Flex and Mini a workout on Thursday. I shot with ETTL and then with manual. I shot with shutter speeds as high as 1/6000 to really see what they could do.
The big surprise was that I really liked shooting ETTL - the trick that was throwing me off was to meter for the background and then underexpose a stop - then I got all that drama I love but still had High Speed Synch (HSS) to add the right touch of fill light. I'd adjust FEC as needed. I started with a FEC of +1-1/2 for two reasons: 1) the umbrella would kill a full stop of flash power and 2) I was a bit closer to the subject than the umbrella and the flash would be metering for that closeness.
I tried synching everything from 300 to 6800 or so shutter speeds and the lighting was soft and even on all the images. The higher the shutter speed, however, the less power out of the flash due to the demands of HSS - which led me to increasing the FEC to a full +2. Clearly, I would not be able to get the drama lighting on a brightly lit day - there's just no way the 580EXII has enough power when using the high speed synch features (which require continual bursts of the flash at high shutter speeds).
The one big advantage that the Radio Poppers have is that you can adjust the flash output from the unit (hence, the camera). However, the RPs require an St-E2 or Speedlight - and I can easily put the Flex or Mini with one of those and then be able to adjust the power from camera as well. The RPjx has the advantage that although manual only, it allows you to adjust power of your strobe automatically. But then, in manual mode, I'd rather do the adjusting with shutter and aperture anyway so that isn't a big plus for me. I seriously do NOT want the weight of a 580EXII on camera with a Radio Popper strapped to it. For the same reason, I'm not going out and buying an extra 580EXII just to use my Mini with the 580 in order to adjust the FEC. I can walk to the darn flash stand happy.png
My speedlight attaches directly to the Flex - which has a hotshoe on top - fabulous design!! No more cords to fall out and no more velcro. All I need is the Flex. It's also very flat and doesn't stick out annoyingly. No more PW banging against my flash stand or misfiring due to cords falling out.
The Mini is very small - I can put my camera into my bag and leave the Mini on there. It's just a bit longer than a quarter and a bit fatter.
I really like that the Flex and Mini are updatable and you can change settings with a USB cable. It means that as they get improved, I can just update them - this is really important to me since I want them to be continually compatable as I upgrade in the future.
The Pocket Wizard people developed their own ETTL - they don't use Canon's ETTL. This Control-TL, as they call it, has a nifty little extra feature - hypersynch. Hypersynch allows you to synch at speeds up to 600, depending on your camera. With the 5D, that speed is 400. This is important since Hypersynch does NOT use HSS - and therefore it does not drain your batteries as fast and nastily as HSS does. You'll get 5x the amount of battery life by using hypersynch over HSS. You can configure your Flex or Mini to use hypersynch up to a certain speed and then HSS after that (e.g., hypersynch up to a shutter speed of 400 for the 5D before it tells the camera to use HSS instead).
Also, and more importantly, the Flex and Mini can hypersynch Alien Bees! I'm seeing people Hypersynching up to 800 shutter speeds so the Bees very nearly have ETTL capabilities with this feature. This is ironic considering ETTL with Bees was the selling point with RPs which ended up not being able to perform as advertised. I get my Vagabond converter in the mail soon and I'll post examples as I try them. I have 3 Bees just waiting for a Vagabond right now. happy.png
What I really found surprising is that I liked using the ETTL and was more consistent with it on...Read more›

Click Here to see more reviews about: Pocket Wizard FlexTT5 Transceiver For Canon TTL Flashes and Digital SLR Cameras

The FlexTT5 transceiver shares the MiniTT1 transmitter's(ordered sepretaly) features and adds the advanced auto-sensing and relay modes introduced with the PocketWizard Plus II, as well as camera and flash ports for PocketWizard cable connection to any camera or flash system. Used as a transmitter, the FlexTT5 can provide TTL auto flash at distances of up to 800 feet* and conventional triggering up to 1200 feet* with the aid of a flip-up antenna.The unit feature a two-position channel selector that is factory programmed to the PocketWizard classic channel one and two. Using the included software and USB port, you can program either channel to any of the PocketWizard system's 32 digitally encoded channels and four zones. A special Learning Mode enables simple, in-the-field programming of all channels.Compatible with the following:Canon DSLR Cameras: 1Ds MKIII, MKII; 1D MKIII; MKII; 1DMKII N; 5D, 5D MKII; 20D, 30D, 40D, 50D; Rebel XT/350D, Rebel XTi/400D, Rebel XS/1000D, Rebel XSi/450DCanon Flash Units: 580EX, 580EXII, 430EX, and 430EXII

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7/26/2011

PocketWizard Plus II Transceiver 801-125 Relay Radio Slave Transmitter Receiver 2-piece w/ PockeWizard Case for 2 Review

PocketWizard Plus II Transceiver 801-125 Relay Radio Slave Transmitter Receiver 2-piece w/ PockeWizard Case for 2
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They're Pocketwizards; they do what they're supposed to do: reliably trigger my off-camera flashes with no line-of-sight necessary. I really like the case, which prevents the pair of PW's from rolling around in my bag. There's a zippered compartment on the back to hold the cords.

Click Here to see more reviews about: PocketWizard Plus II Transceiver 801-125 Relay Radio Slave Transmitter Receiver 2-piece w/ PockeWizard Case for 2



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Click here for more information about PocketWizard Plus II Transceiver 801-125 Relay Radio Slave Transmitter Receiver 2-piece w/ PockeWizard Case for 2

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